As black
people migrated north in the early twentieth century, their music came with
them. Cities such as New York and Chicago became centers of both black population
and black culture, where jazz naturally flourished. Of these cities, New York’s
racial dynamics, as well as its opportunities for dissemination of jazz music into
mainstream culture provided an environment that encouraged the evolution and
growth of jazz music. For these reasons, New York played the most important
role in the flourishing of jazz.
Harlem,
following the First World War, filled with African American migrants, who came
from the South, as well as the midtown area of the city (Gioia, 90). Harlem
became the preeminent location of black autonomy, with the majority of the real
estate under black ownership. From these circumstances, the Harlem renaissance
emerged, with Harlem a cradle high culture. However, life for many Harlem
residents was difficult, with low wages and high rent. From this culture
emerged Harlem’s rent parties, where people would pay entry to apartments to
hear musicians play, and the money went toward rent payments (Gioia, 90). In
this environment emerged stride piano, a more slick and professional iteration of
ragtime, where showmanship and competition mattered as much as the music
itself, an attitude that came to permeate jazz culture from that point forward
(Gioia 93).
New York
provided a unique opportunity to introduce black music to mainstream American
culture. Fats Waller, as the leading stride pianist of the time, was able to take
his music from the Harlem’s clubs and rent parties to Broadway and the big
screen (Gioia 95). In this format, Waller was able to reach a wider, mainstream
audience than he would have been able to in any other city. The opportunities
available to musicians in New York even attracted Louis Armstrong, invited by
Fletcher Henderson to come play in his band, where his musical influence is
credited with the beginnings of swing (Stewart, 2/3/15). Armstrong also played in Hot Chocolates, a Broadway musical written by Waller, which brought
further attention to jazz music (Gioia, 118). All of these opportunities were
unique in New York, as America’s largest city.
The
development of black autonomy in New York, as well as access to mainstream
culture allowed jazz to flourish and develop in a way that would have been
impossible elsewhere. For this reason, I maintain that New York was the most
important city for Jazz in the 1920s.
Works Cited
Gioia, Ted. The history of jazz.
Oxford University Press, 2011.
Stewart,
Jeffrey. "New York to Jazz." UCSB, Santa Barbara, CA. 3 Feb. 2015.
Lecture.
Overall, very good blog post. It was very concise and you gave good reasoning to your claim. I like how you brought up the Harlem renaissance but just wish you would have gone a little more in depth to what exactly that was. In your last paragraph you claim that jazz developed in a way impossible to develop elsewhere even though many argue that Chicago was more important. Maybe a little compare and contrast between the two cities would strengthen your argument. Enjoyed reading!
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